Personal Writing Systems, Calligraphic, Post-War American Art, Black Mountain College, Post-War European Art, Abstract Expressionism, Gestural Abstraction, Gestural, Splattered/Dripped, Line, Form, and Color, New York Artists, 20th Century Art, Tangled Forms, Italy, Collective History, United States, Painting, Classical Mythology, Drawing, Related to Literature, Sculpture, Photography
France, Bulbous, Large-Scale Sculpture, The Body, Mortality, Sculpture, Outdoor Art, Personal Histories, Contemporary Conceptualism, Use of Ephemeral Materials, Installation, Glass as Material, Medical/Health, Process-Oriented, The Fantastic, Violence, Line, Form, and Color
Dotted, Molecular, Hugs and Kisses, Visual Perception, Intentionally Exposed Canvas, Use of Traditional Techniques, Splattered/Dripped, Contemporary Conceptualism, New York Artists, Oil Painting, United States, Love, Painting, Stains/Washes, Repetition, Appropriation, Human Figure, Line, Form, and Color
Italy, Printed Matter, New York Artists, Related to Religion, Still Life, Photography, Representations of Everyday Objects, Work on Paper, Installation, Contemporary Conceptualism, Human Figure, Drawing, Painting, Film/Video, Performance Art
portrait series, unnoticed populace, sculptures, drawings, paintings, disparate mediums, counternarratives, public imagination, photographer, painter, East Village, New York, fashion, commercial photography, YouTube, optimism, carefree aesthetic, Reed Burdge, Tucker Van Der Wyden, Grear Patterson, Leica M6, Mamiya 6, monochrome palette, gritty street scenes, colourful Jamaican jungle, simple compositions. California, street photography, documentary, effects of smiling, journals, stories, voice recordings, narrative, Jean-Michel Basquiat, Ken Price, Hauser & Wirth, Lisson Gallery, MoMa, Instagram, multi-disciplinary, textures, figurative
Old Master Influenced Fantasy, Mysticism, Shamanism, and the Occult, Italy, Engaged with European Old Masters, Hybrids and Imaginary Creatures, Contemporary Figurative Painting, The Fantastic, Unsettling, Psychedelic, Painting, Sculpture, Large Brushstrokes/Loose Brushwork
Chance, Los Angeles Artists, Process-Oriented, California Art, Contemporary Photography, Color Photography, Focus on Materials, Abstract Photography, Sound Art, Photography, Sculpture, United States, Contemporary Gestural Abstraction, Line, Form, and Color, Biomorphic
Post-Internet Art, Digital Art, Glitch Aesthetic, Digital Culture, Generative Art, Technology, Digital Print, United Kingdom and Ireland, Time, Light as Subject, Contemporary Conceptualism, Cultural Commentary, Installation, Machines, Process-Oriented, Film/Video, Self as Subject, Language, Canada
Spatialism, Arte Povera, Post-War European Art, Altered and Substituted Canvases, Southern Cone (Argentina, Chile, Paraguay, Uruguay), Italy, Latin American Art, Modern and Impressionist Art, Gestural Abstraction, Line, Form, and Color, 20th Century Art, Sculpture, Group Zero, Dynamism, Gestural, Ceramic, Concrete Art, Neon and Fluorescent Light, Drawing, Painting, Light as Subject, Tangled Forms, Architecture's Effects, Focus on Materials
Post-War American Art, New York Artists, 20th Century Art, Line, Form, and Color, Gestural Abstraction, United States, Process-Oriented, Gestural, Painting, Large Brushstrokes/Loose Brushwork, Irregular Curvilinear Forms, Patterns, Racial and Ethnic Identity, Mixed-Media
Concrete, New York Artists, Women Artists, Sculpture, Focus on Materials, Mixed-Media, United States, The Body, Painting
Brooklyn Artists, Dynamism, Silkscreen, Tangled Forms, New York Artists, Contemporary Gestural Abstraction, Line, Form, and Color, United States, Stained Glass Effect, Process-Oriented, Painting, Viscous Forms, Sculptural Use of Paint, Popular Culture
Abstract Landscape, Latin American Art, Brazil, Landscapes, Women Artists, Contemporary Traces of Memory, Representations of Architecture, Personal Histories, Waterscapes, Splattered/Dripped, Painting, Nature, Photographic Source, Representations of Everyday Objects, Patterns